January 1, 2004

Differing from usual exhibitions, the works are presented not in a vertical level but rather a horizontal one. With the change of the height of the installation the bedding angle of each element changes to the optimum of examination, as if reading a book.

June 1, 2004

The court of remembrance is a space of reception and meditation, where one is left to interpret the world on his own. Yet it is also the place where the people form communities of remembrance.

September 2, 2004

The idea of the garden is to create a micro World with the tools of landscape design, where the basic factors and structures of the micro World are designed upon the most basic pictures of environment living in everybody`s mind. A forest, flowers, water, hills and so on.

January 1, 2007

What makes a city as homely as our own private home, one that allows us to be with our own selves as a form of regeneration for our mind and soul? In the sense of doing nothing this is the most positive notion that I aim to capture through other people’s experiences.

September 9, 2009

The Palm House of the Széchenyi Bath aims to be a multifunctional space that serves recreational activities during the daytime and transforms into an event space during the evening time. Hence the lush plantation that can be found in the palm house is partly lifted high into the air.

January 1, 2011

On the occasion of being 10 years old, Újirány Group sets out to analyze in a self-reflexive way its own group history, which leads to the more general theme of group dynamics. "You Are Not Alone" - group exhibition in Kunsthalle Budapest.

October 11, 2011

We ask people in the 8th district of Budapest to fill out a form, a time-table in order to confront them with what they spend their time with during the 7 days of the week, which add up to a month, a year in end to show a life-times' doing.

May 5, 2012

Everyday we build borders. Borders that divide space, worlds, living beings...and develop safety for our lives. Mostly fluctuating between the picturesque image of an ideal world-city-window of globalisation and its real gaps, conflicts and contradictions, these borders speak about the way we move in the city.